Music, 1948-2020
Items (Sorted by Submit Date in Descending order): 161 to 180 of 198
Issue Date | Title | Author(s) |
2007 | Engaging Tradition: Samuel Barber's Symphony in One Movement (1936) | Park, James C. |
1994 | Eight Pieces for Solo Violin | Posnock, Jason |
2005 | Disparate Impact: Composition for Soprano and Piano Quintet | Coenen, Michael |
2007 | Discontinuity and Meanings in the Music of Gustav Mahler | McDonald, Geoffrey A. |
2010 | Dies Irae: For Five Singers and Piano Quartet | Fan, Mary S |
2003 | Dido Divided: The Construction of Redemption in Henry Purcell's Dido and Aeneas | Brandau, Ryan |
2002 | Cum Mortis in Lingua Mortua-Death and the Requiem Mass in the Nineteenth Century | Weinstein, Gregory E. |
2004 | Critical Approaches to the Great Pianists | Clark, Everitt R |
2007 | Creative Collaboration: The Cultural and Historical Context of Dmitri Shostakovich's Score for The Bedbug, 1929 | Smolen, Benjamin M. |
2011 | Creating an Opera Season: Lessons from 1641 Venice | Todt, Meghan |
2007 | Creating "Someone's Home": Techniques and Ethics of the Appropriation of Three African Musical Idioms in a Composition for Small Jazz Ensemble (2 Vols.) | Reynolds, Dean S. |
2009 | Corrugated Corduroy | McMillan, Michael |
1994 | Constructing the Dream of Mersenne | Squire, Thaddeus Andrew |
2002 | Concertino for Piano and Small Orchestra | Minakakis, Efstratios |
1994 | Compositions Using Computer-Based Performance | Danks, Mark Edwards |
1948 | A Commentary on Circe | Schulz, Richard Frederick |
1948 | Circe - The Musical Setting of a Myth, in Two Scenes | Schulz, Richard Frederick |
1998 | A Cantata (Text from J. Bunyan's "The Pilgrim's Progress") | Pentlow, Christina |
1999 | By How Much Better Than My Word: Suite for Chamber Instruments and Voices | Reid, Jeremy Jackson |
2002 | Brahms Sonata No. 1 In F minor Op. 120 For Bassoon and Piano-Transcription and Introductory Essay by Seth Baer | Baer, Seth Russell |
Items (Sorted by Submit Date in Descending order): 161 to 180 of 198