Please use this identifier to cite or link to this item:
http://arks.princeton.edu/ark:/88435/dsp01wp988n535
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.advisor | Thompson, Emily | - |
dc.contributor.author | Garrido, Aida | - |
dc.date.accessioned | 2018-08-13T14:54:35Z | - |
dc.date.available | 2018-08-13T14:54:35Z | - |
dc.date.created | 2018-04-10 | - |
dc.date.issued | 2018-08-13 | - |
dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp01wp988n535 | - |
dc.description.abstract | A look into how the industrialization and mechanical reproduction of sound in late nineteenth century has affected sound in twentieth century. This thesis analyzes militarized soundscapes - like those of the First and Second World War, the American protest era of the mid-century, and the United States limited, low intensity conflicts of the 90s - and attempts to write a broad history on the sonic weapon. | en_US |
dc.format.mimetype | application/pdf | - |
dc.language.iso | en | en_US |
dc.title | Sound of the 20th Century: Noise, Music, and Weapon | en_US |
dc.type | Princeton University Senior Theses | - |
pu.date.classyear | 2018 | en_US |
pu.department | History | en_US |
pu.pdf.coverpage | SeniorThesisCoverPage | - |
pu.contributor.authorid | 960963854 | - |
pu.certificate | Theater Program | en_US |
Appears in Collections: | History, 1926-2020 Theater, 1940-2016 |
Files in This Item:
File | Description | Size | Format | |
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GARRIDO-AIDA-THESIS.pdf | 1.19 MB | Adobe PDF | Request a copy |
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