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Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp01v405sc82g
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dc.contributor.advisorFernandez-Kelly, Patricia-
dc.contributor.authorLeiva, Gerson-
dc.date.accessioned2016-06-29T15:44:36Z-
dc.date.available2016-06-29T15:44:36Z-
dc.date.created2016-04-08-
dc.date.issued2016-06-29-
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp01v405sc82g-
dc.description.abstractThe purpose of my paper is underline the importance of graffiti in our international and urban culture with a focus in Berlin and Trenton. For a long time it has been stigmatized and viewed as something damaging to our society. Through an ethnographic approach, I have learned to understand that this art form is meant to be provocative. Its purpose is not only to stir up dialogue about sensitive information but also to beautify decayed spaces. It has become a tradition in the disappearing cities.en_US
dc.format.extent74 pages*
dc.language.isoen_USen_US
dc.titleThe Right to the City: The Art of Graffiti in Berlin & Trentonen_US
dc.typePrinceton University Senior Theses-
pu.date.classyear2016en_US
pu.departmentSociologyen_US
pu.pdf.coverpageSeniorThesisCoverPage-
Appears in Collections:Sociology, 1954-2020

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