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Art and Archaeology, 1926-2020

Items (Sorted by Submit Date in Descending order): 241 to 260 of 1279
Issue DateTitleAuthor(s)
1958Tradition, Unity and Form in the Art of William ZorachStoever, III, Henry
1968Towards Resonsible Graphic DesignPark, Willner
1986Towards and Iconography of Scotland: Georgian Edinburgh and the Representation of Provincial Society, 1695-1802Wallace, Patrick Scott
1969Toward the Non-Objective: Wassily Kandinsky as the Culmination of a Progression in Western PaintingBernikow, Brent Dennis
1997Toward a Photographic Style: 1920s Mexico and the Works of Weston, Modotti, & Alvarez BravoHoughton, Rowena Woodward
2010To Dwell Upon a Holy Hill: The Venetian Ascent to Imperial Power in Sixteenth Century UdineKassler-Taub, Elizabeth
1976Titian: The Use of Antiquity in His ArtSilver, Laurie Morgan
1969Titian: Reactionary and InnovatorMcAlpin, Charles N.
2009Titian's Nude: A Study in Blank Form.Milov, Joelle Anne
1926Titian and Venetian Painting: A HistoryEben, Jr., James
1976Titian and the Baroque EraSechrist, Stephen S.
1939Tintoretto, His Place in Venetian PaintingBillings, K. Le Moyne
1933Tintoretto - An Expression of Venetian ArtFlanagan, Albert W.
2011Tinmal: Contextualizing an Almohad MosqueMumma, Katherine E.
2010Timeless Paintings from Temporal Snapshots, the Art of Robert BechtleMoll, Blair Bloedel
2011Through "Art-Tinted Lenses": Three Perspectives on William Henry Holmes's Contributions to ArtWorcester, Caroline Sayles
1962Three Illusionistic Palace Decorations as Expressions of MannerismMintun, John Sheridan
1987Three Female Portraits by Leonardo da Vinci and the Development of Portraiture from 1470 to 1520Silverman, Diana C.
1929Three Epochs in Garden ArtRoberts, Laurance P.
1960Three Aspects of the Neo-Classic Style in England - 1760,1780,1800Lawrence, John Vinton
Items (Sorted by Submit Date in Descending order): 241 to 260 of 1279