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Issue Date	Title	Author(s)
24-Jul-2019	As The Crab Walks: Storytelling as Revolution in Narratives Forged by Migration and Dictatorship	Jurew, Anna
24-Jul-2019	Traveling in Picaresque Company: Mark Twain, the Picaros, and the Art of Interruption	Holbrook, Myrial
24-Jul-2019	The Literary Aesthetics of Neurasthenia	Ayers, Owen
24-Jul-2019	“ALL MEN BY THEIR VERY NATURE REACH OUT TO KNOW”: Towards an interpretation of hands in Renaissance and Baroque artistic culture	Kang, Taylor
24-Jul-2019	Toward a Poetics of Building: An Essay on the Dialectics of Form in Romantic Poetry and Song	Hoffmeyer, John
24-Jul-2019	'Eternal Interlocutors': Augustinian Theology in Vyacheslav Ivanov's Thought	Polonsky, Cecily
24-Jul-2019	Displaced Art, Misplaced Morals: Negotiating Representations of Nazi Loot	Mandell, Daphne
24-Jul-2019	A Diachronic View of Harald Hårfagre and Norway’s Founding	Maag, Ellie
24-Sep-2020	A NEW CLASSIFICATION OF THE FANTASTIC: “DEFINING” THE FANTASTIC THROUGH AN ARTISTICALLY AND HISTORICALLY CONTEXTUALIZED LENS IN BALZAC’S LE CHEF D’ŒUVRE INCONNU, GAUTIER’S MADEMOISELLE DE MAUPIN, AND AKUTAGAWA’S JIGOKUHEN.	Mundiya, Hana
24-Sep-2020	Consider the Footnote\(^{1}\): An Exploration of the Footnote in Russian and American Postmodern Fiction\(^{2}\) [1] And its close relatives, the endnote and the commentary [2] Through the works of Andrei Bitov and David Foster Wallace	Spalding, Emily