Skip navigation
Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp01qr46r2775
Title: From Bande à part to A Band Apart: A Close Viewing of Jean-Luc Godard’s Bande à part and À bout de souffle and a Look at Their Influence on Quentin Tarantino’s Approach to Filmmaking.
Authors: Leonor, Jose
Advisors: DiBattista, Maria
Contributors: Rentzou, Efthymia
Department: Comparative Literature
Class Year: 2006
Extent: 68 Pages
Other Identifiers: 19779
URI: http://arks.princeton.edu/ark:/88435/dsp01qr46r2775
Location : This thesis can be viewed in person at the Mudd Manuscript Library. To order a copy complete the Senior Thesis Request Form. For more information contact mudd@princeton.edu.
Type of Material: Princeton University Senior Theses
Appears in Collections:Comparative Literature, 1975-2020

Files in This Item:
There are no files associated with this item.


Items in Dataspace are protected by copyright, with all rights reserved, unless otherwise indicated.