Please use this identifier to cite or link to this item:
http://arks.princeton.edu/ark:/88435/dsp01np193d207
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.advisor | Stuart, Susan | |
dc.contributor.advisor | Kotin, Joshua | |
dc.contributor.author | Paternostro, Alexander | |
dc.date.accessioned | 2020-09-28T17:45:11Z | - |
dc.date.available | 2020-09-28T17:45:11Z | - |
dc.date.created | 2020-05-12 | |
dc.date.issued | 2020-09-28 | - |
dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp01np193d207 | - |
dc.description.abstract | Broom was born of death, and continuously emerging as a concern of the magazine, death pervades Broom. Its presence speaks to a larger understanding of the magazine’s aesthetic positioning. Rather than simply unveiling a theme, I reveal how the concept of death does not just appear as subject matter, rather it undergirds the magazine’s search for a suitable art in the aftermath of World War I. | |
dc.format.mimetype | application/pdf | |
dc.language.iso | en | |
dc.title | Death in Broom (1921-1924): Suicide and the Escape of Art after the Great War | |
dc.type | Princeton University Senior Theses | |
pu.date.classyear | 2020 | |
pu.department | English | |
pu.pdf.coverpage | SeniorThesisCoverPage | |
pu.contributor.authorid | 920059201 | |
Appears in Collections: | English, 1925-2020 |
Files in This Item:
File | Description | Size | Format | |
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PATERNOSTRO-ALEXANDER-THESIS.pdf | 4.54 MB | Adobe PDF | Request a copy |
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