Music
Items (Sorted by Submit Date in Descending order): 41 to 60 of 62
| Issue Date | Title | Author(s) |
| 2014 | Music and Ritual in Venice and its Mediterranean Empire (1200-1500) | Greenberg Reuland, Jamie |
| 2014 | Generative Musical Grammar - A Minimalist Approach | Mukherji, Somangshu |
| 2014 | George Balanchine in America: Institutions, Aesthetics, and Economics of the Nonprofit Performing Arts, 1933-54 | Steichen, James Patrick |
| 2014 | Histories of the Invisible: Technology Discourses in the Age of Phonography | de Lautour, Reuben |
| 2014 | Giovanni d'Avella's Regole di Musica: A Defense of Gesualdo's Chromaticism | Levenberg, Jeff |
| 2014 | The Operetta Empire: Popular Viennese Music Theater and Austrian Identity, 1900-1930 | Baranello, Micaela |
| 2014 | Fugues and Contrasting Forms in Five Beethoven String Quartets | Myhill, Phoebe |
| 2014 | FROM EDM TO MATH ROCK: METRICAL DISSONANCE IN THE MUSIC OF BATTLES | Brown, Ryan |
| 2014 | Spirit in the Flesh: Essays on the Relationship between the Body and Meaning in Performance | Hege, Anne Katherine |
| 2014 | Actuated Acoustic Instruments: Relationships and Mind-sets with "Fill Up Jar" and "Ctenophora" (original music compositions) | Britt, Neil Cameron |
| 2013 | Notre Dame in Scotland: W1 and Liturgical Reform at St Andrews | Steiner, Katherine Hope Kennedy |
| 2013 | The Era of Master Domain Music 1964-1994 | Carr, Adrian D. |
| 2013 | Charlatans, Saltimbanques, and Lumpen Songs: The Emergence of the Guitar from the Ghetto of Western Art Music | Lee, Andrew McKenna |
| 2013 | The Viola as a Secret Weapon in Antonio Vivaldi's Orchestral Revolution: Sonority and Texture in Late Baroque Italian Music | Lockey, Nicholas |
| 2013 | Rock Music and the Language of Fantasy: The Music of Yes' Relayer | Early, Michael H. |
| 2012 | READING CONTEMPORARY CHINESE MUSIC: RECONSIDERING IDENTITY AND CULTURAL POLITICS IN ANALYSIS | YOUNG, Kar Fai Samson |
| 2013 | Loud Speaker: Towards a Component Theory of Media Sound | Cluett, Seth Allen |
| 2012 | Rethinking the Sign: Stylistic Competency and Interpretation of Musical Textures, 1890-1920 | Frymoyer, Johanna |
| 2012 | Skryabin, Rakhmaninov, and Prokofiev as Composer-Pianists: The Russian Piano Tradition, Aesthetics, and Performance Practices | Rego, John |
| 2012 | Embracing the Clash | Wolfe, Julia |
Items (Sorted by Submit Date in Descending order): 41 to 60 of 62