Please use this identifier to cite or link to this item:
http://arks.princeton.edu/ark:/88435/dsp01d504rp161Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.advisor | Steingo, Gavin | - |
| dc.contributor.author | Chen, Lou | - |
| dc.date.accessioned | 2019-07-26T12:39:35Z | - |
| dc.date.available | 2019-07-26T12:39:35Z | - |
| dc.date.created | 2019-04-08 | - |
| dc.date.issued | 2019-07-26 | - |
| dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp01d504rp161 | - |
| dc.format.mimetype | application/pdf | - |
| dc.language.iso | en | en_US |
| dc.title | Reconfiguring the Double Bind: The Individual and the Collective in Kendrick Lamar's "DAMN." | en_US |
| dc.type | Princeton University Senior Theses | - |
| pu.date.classyear | 2019 | en_US |
| pu.department | Music | en_US |
| pu.pdf.coverpage | SeniorThesisCoverPage | - |
| pu.contributor.authorid | 961083866 | - |
| pu.certificate | American Studies Program | en_US |
| Appears in Collections: | Music, 1948-2020 | |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| CHEN-LOU-THESIS.pdf | 769.34 kB | Adobe PDF | Request a copy |
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