Skip navigation
Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp01bv73c326m
Full metadata record
DC FieldValueLanguage
dc.contributor.advisorWherry, Frederick F-
dc.contributor.authorDiamond, Benjamin-
dc.date.accessioned2019-08-14T20:19:49Z-
dc.date.available2019-08-14T20:19:49Z-
dc.date.created2019-04-19-
dc.date.issued2019-08-14-
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp01bv73c326m-
dc.description.abstractThis study elaborates on the important elements of the gay experience in the New York theater industry, looking at current themes, how the experiences of gay actors and other creatives in the industry have changed over time, and how this reflects and affects the representation of queer narratives. Gay men of different occupations in the industry were interviewed and organized into themes of body, sexual identity, and narratives. Findings show the significance of Broadway’s culture in the industry, the prevalence of internalized homophobia, and the importance of the term “queer” in future conversations and narratives.en_US
dc.format.mimetypeapplication/pdf-
dc.language.isoenen_US
dc.titleThe House Isn't Burning: An Analysis of Gay Men and Their Narratives on Broadwayen_US
dc.typePrinceton University Senior Theses-
pu.date.classyear2019en_US
pu.departmentSociologyen_US
pu.pdf.coverpageSeniorThesisCoverPage-
pu.contributor.authorid960993010-
Appears in Collections:Sociology, 1954-2020

Files in This Item:
File Description SizeFormat 
DIAMOND-BENJAMIN-THESIS.pdf561.72 kBAdobe PDF    Request a copy


Items in Dataspace are protected by copyright, with all rights reserved, unless otherwise indicated.