Please use this identifier to cite or link to this item:
http://arks.princeton.edu/ark:/88435/dsp01br86b377hFull metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor | Wolff, Tamsen | - |
| dc.contributor.advisor | Wolf, Stacy | - |
| dc.contributor.author | Williams, Abigail | - |
| dc.date.accessioned | 2014-07-29T15:43:20Z | - |
| dc.date.available | 2014-07-29T15:43:20Z | - |
| dc.date.created | 2014-04-01 | - |
| dc.date.issued | 2014-07-29 | - |
| dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp01br86b377h | - |
| dc.format.extent | 112 pages | * |
| dc.language.iso | en_US | en_US |
| dc.title | AS ITS BABIES, SO IS THE NATION: EUGENICS, FILM, AND THE SHIFTING LANDSCAPE OF INDIVIDUALISM IN THE TWENTIETH-CENTURY UNITED STATES | en_US |
| dc.type | Princeton University Senior Theses | - |
| pu.date.classyear | 2014 | en_US |
| pu.pdf.coverpage | SeniorThesisCoverPage | - |
| pu.certificate | Theater | en_US |
| Appears in Collections: | English, 1925-2020 Theater, 1940-2016 | |
Files in This Item:
| File | Size | Format | |
|---|---|---|---|
| WILLIAMSABIGAIL14.pdf | 988.13 kB | Adobe PDF | Request a copy |
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