Skip navigation
Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp01b8515r09j
Full metadata record
DC FieldValueLanguage
dc.contributor.advisorGiammei, Alessandro-
dc.contributor.advisorRentzou, Efthymia-
dc.contributor.authorStafford, Caroline-
dc.date.accessioned2018-07-30T14:13:07Z-
dc.date.available2018-07-30T14:13:07Z-
dc.date.created2018-04-13-
dc.date.issued2018-7-30-
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp01b8515r09j-
dc.format.mimetypeapplication/pdf-
dc.language.isoenen_US
dc.titleTHE THREAT OF “WHAT IS NOT”: A Feminist, Deconstructivist Analysis of “Otherness” in the Theatrical Works of Eugène Ionesco and Edoardo Sanguinetien_US
dc.typePrinceton University Senior Theses-
pu.date.classyear2018en_US
pu.departmentComparative Literatureen_US
pu.pdf.coverpageSeniorThesisCoverPage-
pu.contributor.authorid960956713-
Appears in Collections:Comparative Literature, 1975-2020

Files in This Item:
File Description SizeFormat 
STAFFORD-CAROLINE-THESIS.pdf5.96 MBAdobe PDF    Request a copy


Items in Dataspace are protected by copyright, with all rights reserved, unless otherwise indicated.