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http://arks.princeton.edu/ark:/88435/dsp019s161846mFull metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor | Levy, Lital | - |
| dc.contributor.advisor | Bowlby, Rachel | - |
| dc.contributor.author | Pearsall, Miriam L. | - |
| dc.date.accessioned | 2015-06-10T14:04:45Z | - |
| dc.date.available | 2015-06-10T14:04:45Z | - |
| dc.date.created | 2015-04-15 | - |
| dc.date.issued | 2015-06-10 | - |
| dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp019s161846m | - |
| dc.format.extent | 66 pages | * |
| dc.language.iso | en_US | en_US |
| dc.title | Backstage Clichés: Men as Personifications of Ballet in The Red Shoes (1948), Carmen (1983) and Black Swan (2010) | en_US |
| dc.type | Princeton University Senior Theses | - |
| pu.date.classyear | 2015 | en_US |
| pu.department | Comparative Literature | en_US |
| pu.pdf.coverpage | SeniorThesisCoverPage | - |
| Appears in Collections: | Comparative Literature, 1975-2020 | |
Files in This Item:
| File | Size | Format | |
|---|---|---|---|
| PUTheses2015-Pearsall_Miriam_L..pdf | 574.35 kB | Adobe PDF | Request a copy |
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