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Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp0179407x262
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dc.contributor.advisorFernández-Kelly, Patricia-
dc.contributor.authorGyorffy, Rachele-
dc.date.accessioned2013-07-18T13:02:03Z-
dc.date.available2013-07-18T13:02:03Z-
dc.date.created2013-04-12-
dc.date.issued2013-07-18-
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp0179407x262-
dc.description.abstractInstagram, a photo editing and sharing mobile app, has become an ever prominent means of communication, especially among young users. With more than 100 million users, Instagram has become a viable and innovative forum for users to express and assert their individuality. This paper explores how Instagram, as a social media tool, has been transformed into a platform for self-promotion and identity creation. This paper seeks to demonstrate how the authoritative way in which information is conveyed on the photo-sharing medium makes it an excellent forum for users to validate their social position through both conspicuous consumption and how they are perceived through Instagram. Pulling from Viviana Zelizer’s and Pierre Bourdieu’s theories on intimate economies and capital, respectively, I intend to demonstrate that Instagram constitutes an intimate social network where individuals can display economic, social, and cultural capital through the images they post.en_US
dc.format.extent89 pagesen_US
dc.language.isoen_USen_US
dc.title#Nofilter: Exploring Self Promotion and Identity Creation Through Instagramen_US
dc.typePrinceton University Senior Theses-
pu.date.classyear2013en_US
pu.departmentSociologyen_US
pu.pdf.coverpageSeniorThesisCoverPage-
dc.rights.accessRightsWalk-in Access. This thesis can only be viewed on computer terminals at the <a href=http://mudd.princeton.edu>Mudd Manuscript Library</a>.-
pu.mudd.walkinyes-
Appears in Collections:Sociology, 1954-2020

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