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Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp016395w994x
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dc.contributor.advisorFernández-Kelly, Patricia-
dc.contributor.authorHolland, Sarah-
dc.date.accessioned2019-08-15T12:29:09Z-
dc.date.available2020-01-29T10:10:46Z-
dc.date.created2019-04-17-
dc.date.issued2019-08-15-
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp016395w994x-
dc.description.abstractArt and expression is used by immigrants to communicate ideas about identity and representation. Control of street level art has the ability to foster community solidarity or tear it apart. This study analyzes variations in this relationship between hegemony and expressive entrepreneurship at three different field sites – Princeton, Trenton and Wynwood. I utilized two major strategies in this study by embedding myself within these communities to conduct extensive ethnographic research and supplementing this with the qualitative analysis of in-depth interviews with street artists, entrepreneurs and the general public. By analyzing power and expression for individuals and groups in the three places, my study offers an insight into the tensions that correlate with immigrant identity, education and awareness.en_US
dc.format.mimetypeapplication/pdf-
dc.language.isoenen_US
dc.title"OVERTOWN": Hegemony and Expressive Entrepreneurship in Immigrant Communitiesen_US
dc.typePrinceton University Senior Theses-
pu.embargo.terms2020-01-29-
pu.date.classyear2019en_US
pu.departmentSociologyen_US
pu.pdf.coverpageSeniorThesisCoverPage-
pu.contributor.authorid961140908-
pu.certificateHumanities Council and Humanistic Studies Programen_US
pu.mudd.walkinyesen_US
Appears in Collections:Sociology, 1954-2020

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