Please use this identifier to cite or link to this item:
http://arks.princeton.edu/ark:/88435/dsp011n79h732v
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.advisor | McCauley, Anne | - |
dc.contributor.author | McVey, Mariah | - |
dc.date.accessioned | 2020-09-23T19:03:36Z | - |
dc.date.available | 2020-09-23T19:03:36Z | - |
dc.date.created | 2020-05-01 | - |
dc.date.issued | 2020-09-23 | - |
dc.identifier.uri | http://arks.princeton.edu/ark:/88435/dsp011n79h732v | - |
dc.format.mimetype | application/pdf | |
dc.language.iso | en | en_US |
dc.title | A Sculptural Affair: How the Sculptures on the Theaterama at the 1964-1965 New York World’s Fair Flourished as Public Art | en_US |
dc.type | Princeton University Senior Theses | |
pu.date.classyear | 2020 | en_US |
pu.department | Art and Archaeology | en_US |
pu.pdf.coverpage | SeniorThesisCoverPage | |
pu.contributor.authorid | 961250096 | |
pu.certificate | American Studies Program | en_US |
Appears in Collections: | Art and Archaeology, 1926-2020 |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
MCVEY-MARIAH-THESIS.pdf | 13.56 MB | Adobe PDF | Request a copy |
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