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Please use this identifier to cite or link to this item: http://arks.princeton.edu/ark:/88435/dsp011831cn77f
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dc.contributor.advisorHeller-Roazen, Daniel-
dc.contributor.advisorFratto, Elena-
dc.contributor.authorAyers, Owen-
dc.date.accessioned2019-07-24T14:29:16Z-
dc.date.available2019-07-24T14:29:16Z-
dc.date.created2019-04-09-
dc.date.issued2019-07-24-
dc.identifier.urihttp://arks.princeton.edu/ark:/88435/dsp011831cn77f-
dc.description.abstractA common but unexamined belief about medicine is that it describes "real" phenomena that are always biologically substantiated. One notable exception is the class of neuropsychiatric conditions, somatoform disorders in particular, the constituents of which have tended to fluctuate rather than accumulate over time. This thesis explores one such diagnosis, neurasthenia, as a nosological entity particular to the end of the nineteenth century. It compares disease categories to literary genres in support of its argument that neurasthenia was its era's metaphoric expression of anxiety about the mind-body problem and that different kinds of writing (medical vs. literary) structure this metaphor in complementary ways within a transiently enabling sociopolitical paradigm.en_US
dc.format.mimetypeapplication/pdf-
dc.language.isoenen_US
dc.titleThe Literary Aesthetics of Neurastheniaen_US
dc.typePrinceton University Senior Theses-
pu.date.classyear2019en_US
pu.departmentComparative Literatureen_US
pu.pdf.coverpageSeniorThesisCoverPage-
pu.contributor.authorid961169095-
pu.certificateProgram in Cognitive Scienceen_US
Appears in Collections:Comparative Literature, 1975-2020

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