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Showing results 1 to 20 of 52  next >
Issue DateTitleAuthor(s)
2014Actuated Acoustic Instruments: Relationships and Mind-sets with "Fill Up Jar" and "Ctenophora" (original music compositions)Britt, Neil Cameron
2014Articulating Continuums: Gestural Analysis of works by Steven Mackey, Stravinsky, Brahms, and MozartDancigers, Mark Christopher
2020Breaking the bel canto - straight tone false dichotomy: What composers have to learn from Dolly PartonSocolofsky, Annika K
2016Buddhist Bubblegum: Esoteric Buddhism in the Creative Process of Arthur RussellMarble, Matthew Elliott
2017Catherine the Great and the Rise of Comic Opera in Late Eighteenth-Century St. PetersburgBonner, Elise
2013Charlatans, Saltimbanques, and Lumpen Songs: The Emergence of the Guitar from the Ghetto of Western Art MusicLee, Andrew McKenna
2015Ciconia's Equal-Cantus Motets and the Creation of Early Fifteenth-Century StyleBuff, Carolann
2015Embodying Meaning and Imagining Sound in Nineteenth-Century Piano MusicRobb, Hamish James Alexander
2012Embracing the ClashWolfe, Julia
2013The Era of Master Domain Music 1964-1994Carr, Adrian D.
2015Expansive Rock: Large-Scale Structure in the Music of Pink FloydCohen, Gilad
2014FROM EDM TO MATH ROCK: METRICAL DISSONANCE IN THE MUSIC OF BATTLESBrown, Ryan
2014Fugues and Contrasting Forms in Five Beethoven String QuartetsMyhill, Phoebe
2014Generative Musical Grammar - A Minimalist ApproachMukherji, Somangshu
2014George Balanchine in America: Institutions, Aesthetics, and Economics of the Nonprofit Performing Arts, 1933-54Steichen, James Patrick
2017Getting Out of a Jam: Collective Improvisation in Popular MusicGupta, Christopher
2014Giovanni d'Avella's Regole di Musica: A Defense of Gesualdo's ChromaticismLevenberg, Jeff
2014Histories of the Invisible: Technology Discourses in the Age of Phonographyde Lautour, Reuben
2017Hybrid Music in Theory and PracticeFriar, Sean Rogers
2016"Is That Religion?" The Jazz Profession and Afro-Protestant Cultural RepresentationBooker, Vaughn Angelo