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Browsing by Academic Advisor Burnham, Scott
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Showing results 1 to 20 of 23
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Class Year
Author(s)
Title
Advisor
1993
Sewell, Gregory I.
Afro-American Contemporary Dance Music 1992: Reliving History through Innovation
Burnham, Scott
-
Dancigers, Mark Christopher
Articulating Continuums: Gestural Analysis of works by Steven Mackey, Stravinsky, Brahms, and Mozart
Mackey, Steven
;
Burnham, Scott
2005
Spielberg, David
Beethoven's Spirit from the Hands of Mahler
Burnham, Scott
2016
Levine, Jacqueline
Beyond Branding: How Music Can Enhance Consumer Research and Product Development
Burnham, Scott
-
Phillips, Reuben
Brahms as Reader
Agawu, V. Kofi
;
Burnham, Scott
2002
Baer, Seth Russell
Brahms Sonata No. 1 In F minor Op. 120 For Bassoon and Piano-Transcription and Introductory Essay by Seth Baer
Burnham, Scott
1998
Pentlow, Christina
A Cantata (Text from J. Bunyan's "The Pilgrim's Progress")
Burnham, Scott
-
Robb, Hamish James Alexander
Embodying Meaning and Imagining Sound in Nineteenth-Century Piano Music
Burnham, Scott
;
Agawu, Kofi
-
Cohen, Gilad
Expansive Rock: Large-Scale Structure in the Music of Pink Floyd
Burnham, Scott
-
Tkalych, Lisa
Felix Mendelssohn as Romantic Conductor
Burnham, Scott
2013
Leary, Brianna
A Frequency Analysis of Chord Functions in J.S. Bach’s Partita No. 3 in E major for Unaccompanied Violin
Burnham, Scott
2015
Slosar, Louisa Jo
Impersonating Mozart: An Inquiry into the Composition of Historically Informed Cadenzas for the Mozart Bassoon Concerto in Bb, K. 191
Burnham, Scott
-
Cluett, Seth Allen
Loud Speaker: Towards a Component Theory of Media Sound
Burnham, Scott
2003
Leong, Gabrielle
The Man, the Means, and the Music: A Performer's Glimpse into Chopin's Sound World
Burnham, Scott
2001
Liao, Emily
The Mozart Effect: Beyond Myth and Truth
Burnham, Scott
1996
MacRae, Alistair
Organicism and the Personal Odyssey in Beethoven's String Quartet in C# minor, Opus 131
Burnham, Scott
2001
Dickerson, Jeannette Lynn
Psalm 22 for String Quartet
Burnham, Scott
-
Frymoyer, Johanna
Rethinking the Sign: Stylistic Competency and Interpretation of Musical Textures, 1890-1920
Agawu, Kofi V
;
Burnham, Scott
2013
Simins, David
Sentiment, Form, and Composer's Intent: An Emotion-Based Theory of Structural Deformation in Sonata Form
Burnham, Scott
2002
Lembo, Matthew Russell
Sweeney Todd: The Demon Barber of Fleet Street-A musical thriller by Stephen Sondheim Performed April 11 through April 20, 2002
Burnham, Scott