Browsing by Academic Advisor Alliston, April
Showing results 1 to 15 of 15
| Class Year | Author(s) | Title | Advisor |
| - | LaBrada, Eloy Francisco Rodriguez | The Age of Inexperience: Theories of Unlived Love in Early Modern France | Brodsky, Claudia; Alliston, April |
| 2002 | Albertson, Kristen Emily | Baudelaire's Boulevards, Aragon's Arcades, and Calle's Camera: Paris and the Literature of (Post) Modernity | Alliston, April |
| 2007 | Austin, Byron | "Camp!": The Triumph of Parody and Deconstruction | Alliston, April |
| 1996 | Gaskins, Matthew | Double Spaced On Hans Henny Jahnn's Die Nacht aus Blei | Alliston, April |
| 2002 | Hickok, Jessica Porter | Enlightenment for Dummies, Embracing Duality: Hesse's Balancing Act | Alliston, April |
| 2010 | Dantzlerward, Alexandra Jayne | Georg Lukács on the Nineteenth-Century Russian Novel: A Logical Amendment | Alliston, April |
| 1997 | Fry, Heather M. | Identity and Self-Worth: Commonalities of Theme in "Go Tell It On the Mountain" and "O Pays, Mon Beau Peuple!" | Alliston, April |
| 1997 | Mulroney, Renee M. | The Imagined Mountain? Nature, Perception, and the Observer in Poems of Wordsworth and Lamartine | Alliston, April |
| 2008 | Urena, Carolyn | The Power of Christ Compels You: Bram Stoker’s Dracula as a Conversion Text | Alliston, April |
| 2010 | Brady, Alexander Foster | Preface to an Adaptation: Orientalism, Inter-Societal Dialogue and ‘le thème du naïf’ in Antoine de Saint-Exupéry’s Le Petit Prince. | Alliston, April |
| 2007 | Jensen, Maris | The Self and the Other: Rivalrous (A)symmetry through Lacan and Levinas | Alliston, April |
| 2006 | Erickson, Kailee; Thirolf, John; Dickerson, Narin; Kleinman, Aaron; Nelson, Paul | (Thesis Not Received) | Alliston, April |
| 2019 | Zabel, Annabel | Through the Eyes of the Victim: Depicting Women’s Trauma in Expressionist Theater | Sandberg, Robert; Alliston, April |
| 1993 | Pacini, Giulia | Voyeuristic Reading: (A) Reading (of) "Le Voyeur" | Alliston, April |
| 1999 | Perry, Jennifer | Where Does Revolution Lead Us? Passion, Repression, and Rebellion in Merimee's Carmen and Lorca's Bodas de Sangre | Alliston, April |